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Tenille Townes: iHeartCountry On The Verge Artist

One minute with iHeartCountry On The Verge artist Tenille Townes and itโ€™s instantly clear that she doesnโ€™t see, or hear, the world like everyone else. Maybe it comes through in how she learned to read by pouring through lyric sheets and liner notes, or how she starting singing by belting along to U2 and Shania Twain in the back of her parentsโ€™ car. Or maybe it will come to light in the thousands sheโ€™s raised and the miles sheโ€™s logged supporting the charitable initiatives she created while still a teenager. Or maybe it will simply come across in her stunning voice and wise, insightful lyricism, all infinitely beguiling for someone of her young age. But thatโ€™s the thing about Townes. Sheโ€™s never operated by the clock or the calendar. She operates from her heart, and from her soul.

The Canadian-born Townes, isnโ€™t quite like anyone else who has graced the cityโ€™s stages. Working on her debut LP with Jay Joyce, the Nashville-based Townes started her journey to becoming one of countryโ€™s most promising new artists back in rural Canada, in the backseat of a car. โ€œI would obsess in the back seat over lyrics,โ€ says Townes, who recalls drives in her home of Grande Prairie, a small town in Alberta, Canada, with her parents.

โ€œI would follow along to all of the words and sing along, and call out my favorites. Eventually, I started to learn all of the writer and producer names, just soaking it all up.โ€ Townes insisted that her parents โ€“ supportive, hard-working local entrepreneurs โ€“ sign her up for singing lessons at the age of five, which led to owning her first guitar from her grandparents at fourteen. It was perfect timing, as Townes had already started to explore what it would be like to set her poetry to music. While other kids were reading Shakespeare and studying, Townes added the craft of famed songwriters like Carolyn Dawn Johnson to her workload, developing her own narrative style before most other teenagers even headed to prom. โ€œThere were a lot of things to write about at fourteen,โ€ Townes says.

โ€œIโ€™ve always craved what it felt like to step into other peopleโ€™s shoes. And if songwriting was a way to step into character and make someone feel less alone, then I was all in.โ€ Itโ€™s telling that the idea for Townesโ€™ debut single "Somebody's Daughter" was sparked during a car ride that she had with her mom while they were furniture shopping. When they took an exit off the interstate, they saw a young girl standing there holding onto a cardboard sign. That moment pulled at something in them and they had a talk that day she would never forget. Realizing how everyone has a story and wondering what happened in her story that let up to that moment. Tenille says the girls face stuck with her, and she wanted to bring that moment into a writing room.

Soon, she was traveling to Nashville regularly to exercise this developing talent and falling in love with everything Music City had to offer. โ€œComing here for the first time felt like walking into a dreamland,โ€ she says. She made the move to Nashville permanently four years ago, at just nineteen โ€“ driving 45 hours from Grande Prairie. Once settled in Nashville, Townes spent her days songwriting and her nights at guitar pulls or at the Bluebird, studying everything she could. Eventually, she scored a publishing deal with Big Yellow Dog, and headed into the studio with Joyce to record her debut. Together, they tapped into her organic nature and her sheer ability to tell a story and emote it through the visceral range of her vocals โ€“ tender, bluesy, wise and full of wonder but never naive. โ€œHe has a way of pulling out peopleโ€™s most honest self,โ€ says Townes of her experience working with Joyce.

โ€œI always loved telling stories and writing songs, and a lot of these songs deal with things that are hard to talk about. Concepts about losing someone and asking hard questions and about seeking whatever your sense of faith is. Songs about looking for love.โ€ Songs, most importantly, from the heart. And thatโ€™s because Townesโ€™ heart is huge. At fifteen, she organized a fundraiser called Big Hearts For Big Kids benefiting a youth shelter in her home town.

To this day, theyโ€™ve continued it yearly and raised over $1.5 million dollars โ€“ Townes was inspired to start the event by a pamphlet her mother brought home one day, not an uncommon occurrence at her house. โ€œWeโ€™d sit around the dinner table and talk about what was going on in the world, homelessness and loneliness,โ€ she says, โ€œand I grew up being aware of those things. The parts of human existence that remind us we are all more similar than we think we are. And those stories need to be told.โ€

After school, she continued this ethos by launching a tour called Play It Forward, where she spent 32 weeks on the road, visiting 106 schools and playing music for over 35,000 students. Meant to encourage leadership and inspire youth, it was a huge success and completely born out of Townesโ€™ own scrappy sense of โ€œanything is possible.โ€ Some of the stories she heard along the way even inspire songs on her debut LP. The idea of community that she grew up with comes through, too. Her music is that kitchen table, her words are the experiences and struggles and moments of joy she wants to share, packed with her dynamic vocals and, at the core, that heart. โ€œMusic pushes walls down you didnโ€™t know were up,โ€ she says. โ€œA song will take you places you didnโ€™t even ask it to, and Iโ€™m always thankful that it does.โ€


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